the edge of autumn

In late summer, I love seeing how the greens darken in the woods and the light begins to take on that golden hue of September. What a magical time this is. My quilt "the edge of autumn" seeks to capture this journey into the change of the seasons. Of course it is part of my "thinking about tomorrow" series.

the edge of autumn--quilt--Ann Brauer 2020

Making it is basically very simple. First I design the basic outline of the quilt either on paper or in my mind. This is based on the concept of the quilt and the elements I want to portray. Then I begin sewing many thin strips of cotton fabric going through the cotton batting onto the back. I always tell myself to start with something I know.

detail--the edge of autumn--quilt--Ann Brauer 2020

Sounds simple doesn't it. The trick though is to get the colors just right. In this case I wanted a golden green hue and so I chose fabric that included that overall element. Don't you love that hint of sun peeking through the clouds? I also began adding just a hint of purple that will come later.

detail--the edge of autumn--quilt--Ann Brauer 2020

As you can see I am gradually making the shift to a darker palette. Still I incorporate hints of gold and yellow to break it up. Creating the quilt is simple but also not easy since I do have to balance the colors and fabrics. I don't want it to be too busy but I do want there to be life in the piece. Many fabrics are used only once or twice. Luckily I have a lot of fabrics and because this is what I do, I know what may be in my stash.

detail--the edge of tomorrow--quilt--Ann Brauer 2020

And gradually I go into the darker colors. Because these are commercially available fabrics I don't always have the  colors that I dream about. There are not that many browns with blues for instance. So I have to improvise. That is what color blending is all about. And no I don't use batiks--in case you were going to ask. While they are lovely, they have a stiffer texture and a different sheen so I don't find they blend as well although feel free to experiment.

So how do you start? My suggestion is to make something. Maybe a smaller quilt or even a pillow. Get to know the fabric and try. I often make potholders with a fabric that is new to me to understand all its tones and depth. After you have made one--or even as you are making one--pin it to your design board and see what you think. When you are done, look at it. Is it what you want? Did you find any surprises? What went right and what could you do better? Then make another. And another and another until you begin to teach yourself to create the colors you want.

See--I said the method is simple but the process is not easy. And most importantly, have fun!!!

I have more detailed images on my Etsy shop if you are curious or maybe you want to browse through the detailed images of other quilts I have made. http://www.etsy.com/shop/annbrauer

the power of making

Outside the October sky hangs glum and grey against the colors just starting to change. Inside the news goes on endlessly as those in suits and ties talk "sincerely" of pain and then use disinformation in their quest for power.  Tempers mount. A friend is almost in tears. We all know the feeling of resignation that the want us to have.

Shelburne Falls--October 2018--Ann Brauer

Of course I turn to my beloved fabrics and sewing machine in my search for solace and purpose. After the last show there is so much I need to do. Orders to fill. I am sold out of phone cases. Yikes. I know I need more eye glass cases and place mats. A few table runners in popular colors. Of course more potholders. Time to get busy. High class worries. I have three more craft shows and one sale ahead of me, after all. So much to do. So little time.

But though I turn to classical music or silence, the clouds still hang. I like working with colors and fabrics and feel so fortunate that I can do so, but I know I need more. Then I remember--did I ever forget--that in making wall art--getting lost in that world--I can regain my sense of purpose and energy. Don't we all need art now more than ever? Maybe I can capture the colors of the trees in autumn. So I start sewing.

As usual, the questions--what comes next? Shall I take the obvious way? What about the bottom? Will green tie it together? Such questions. And yet, there is an answer and the drive to add the fabric, one piece at a time. This is why I make quilts. And why I must make another and another.

color of autumn--quilt--Ann Brauer 2018

And you--what is the power of art in your life? How do you cope with the external world and maintain your own sense of self?  Do your quilts ever just fall into place?  

sometimes it is the small decisions

Finally the quilt is pieced. Whew!!!  But still I must quilt it. Which means I must choose which color thread to use. It should be easy, right? Well, not always. Now I like to use the same color throughout. I find that this gives a cohesion to the piece that I want. But this is where the issues begin. Sometimes I like adding just the bit of yellow or gold to brighten the piece but I am not sure it is the right decision for this quilt which has so much dark in it.

process--quilt--ann brauer--2018

Instead I test colors. For me the easiest way is to hold up the spools of thread and imagine what the color will look like against the quilt. I love the thought of this magenta. After all the quilt is shades of plum and purple. Lavender and mauve. And this would accentuate all those wonderful rich hues.

process--ann brauer--quilt 2018

Then I realize that the bottom of the quilt is teal. The magenta will stand out significantly against the teal. Mmmm. Maybe this is not the right color after all.

process--ann brauer--quilt--2018

I try again with this bright rose. Again it has the warmth I am seeking but still it may be too bright for the mystery of this quilt.

process--quilt--ann brauer 2018

As they say. Third time is the charm. What about the brick red. Not the color I had been initially imagining but it does add just a bit of the warmth and it won't stand out quite as strongly with the teal.

process--quilt--ann brauer 2018

Not too bright against the teal either is it?

process--quilt--ann brauer 2018

Yes, this will work. And so I begin. Simple rows of stitches done free hand using my 1965 Singer 281-3. A machine I love so much I design my quilts around it.

process--quilt--ann brauer 2018

But a seemingly endless process. I just sit there and sew and sew and sew.  When will I finish? I can get a bit of coffee or maybe some water when I reach a set goal. When I need to change bobbins I can check my e-mail. Oh the games I play to get it done. It goes on and one and on. Like my father, the farmer, when he plowed fields. Up one side and down the next yet gradually there is progress and this is after all part of the process.

How do you do it? What keeps you going during those endless rows? And how do you choose the color of thread to use?

seam by seam

I must admit there are times when making a quilt seems endless--and more than a bit scary. After all, I have spent so many days with it and while I may have a vision of the look I want in the end, I can never be sure it is going to work the way I want it to. Instead all I can do is keep sewing. Keep hoping. Look at my design board frequently. And test different fabric colors until it seems right.

It seems so simple at first. The little pieces fall into place. Of course there is the question as to how quickly I want the color transition to go. Was I a bit impatient?

process--ann brauer 2018

But I know I need to anchor the bottom of this quilt with a ridge line. Maybe it is the soil. Maybe the deep dark mountains. You decide. But doesn't it look different with the colors there.

process--ann brauer 2018

And now I can echo the dark of the mountains with the dark in the sky. Again I test colors.

process--ann brauer 2018

And start to add even more fabrics. I love the hint of rose. The warmth of the rusts. Gradually it is taking shape.

process--ann brauer 2018

Still there is a long way to go. I have the wonderful light on the top. The feeling of the endless sky looking up. Now to work on the bottom. More piecing and fretting. Is a quilter ever done?

process--ann brauer 2018

How do you work? How much to you start with a vision? Do you ever feel that the quilt will not get done?

explorations--do I have enough fabric?

Some of us are very lucky. My favorite fabric store--The Textile Company in Greenfield, Massachusetts--is still in business. Indeed it has been selling fabric for three generations in an old baby carriage factory. (The wooden floors are themselves worth the trip.) Of course I have a secret fantasy--what if I could just set up my sewing machine and cut bits of fabric as I need it to get just the right color combinations.

Of course I know that is totally impractical. Can you imagine running up and down the aisles comparing fabrics just to get that one snippet? There actually is a phenomena of too much fabric. Seriously. Even for me. It can take too long to sort and compare. Sure I could purchase lots of fat quarters but my theory is that if I like the fabric enough to use it I want to learn to know it. What are its interesting undertones and stories? How does it work when cut into strips? What are the hints of stories within it? How can I combine the different fabrics to make a quilt that represents my artistic vision.

So I purchase my fabric a yard at a time. Then when I am working on a new quilt I often sketch out the colors by sorting through and creating the sweep of color that I think might work.

explorations--quilt--ann brauer 2018

Plum is such a complex color. Red and blue, purple with a touch of grey and brown. The manufacturers never make a lot of it in any given year. Instead I know I will be searching for snippets of fabric. Plunging deep into my fabric drawers for just the right color. Still this arrangement gives me a start. A reference point.

I begin cutting. I always tell myself to start with what I know. Just like with the fabric selection, I could cut too much fabric and spend too much time searching through the pile to find what I want and test it as I sew. So I make a small pile of wedges.

explorations--quilt--ann brauer 2018

And start to stitch each to the quilt. One strip at a time. Stopping frequently to ponder what comes next.

explorations--quilt--ann brauer--2018

How do you start a quilt? Do you ever have too much fabric? Have you ever worked with the color plum? And do you know any great fabric stores?

explorations--I begin

It did sound like an interesting show to enter. About twenty quilt makers were selected to each create a quilt that was 30 x 50 inches and highlight a particular process. So I entered and was among the chosen.  Of course my technique is quilt as you go--can you imagine my being selected for any other method? That was the easy part.

Unfortunately though I had to make the quilt. The first step of deciding what to make is often the hardest. What would illustrate the method, look artistic and fit the size requirements? My mind was alive with ideas. But....

I kept sketching. Would it look good at 30x50 inches? Oh why had they not chosen 32x48 inches which I find a much more satisfying size?  Or given us the option of making a horizontal quilt--again a size that can look great over the sofa or bed?  But this was taking up valuable mental energy.

I had to start. Many were already finished with their quilts. I couldn't let them down. I got gentle reminders. from the volunteer working on the project. She was so kind and patient.  Still I fretted.  Why did I agree to do this? I don't even like the focus on process?  Shouldn't it be on the artistic expression instead? Isn't process just the tool to say what you want to say? I could delay forever but I had promised. I was just procrastinating. I needed to make a quilt I could be proud of. Then it dawned on me.  My quilt "mountain sun" was 30 x 70 inches and I liked it. If it could work at that size, then surely it could work at 30 x 50 inches.

mountain sun--30x70 inches--ann brauer--2018

--image by John Polak

Now of course I didn't want to make a quilt just like this. That would be no fun. But I had customers through who had wondered about the quilt in plum--or maybe burgundy. That would be a fun challenge. I was curious to see what would happen.  Wouldn't I love to develop that colorway and then maybe make a couple of longer quilts for my booth. I feel such a need to go large these days. But more on that later.

Time to start. I press the back fabric. Amazing how wrinkled it gets on the bolt.

explorations--pressing the fabric--ann brauer 2018

Then I baste the batting onto the back. After all this is quilt as you go so the batting is included in the sandwich.

explorations--basting the batting to the fabric--ann brauer 2018

That always feel like a major step. I am committed. How do you decide what quilt to make? How do you begin? How do you show process? How much do you think process is relevant?

half way there!!!

Today's entry in my Count Down to Spring is my quilt Color on the Mountain. I made it several years ago as part of my landscape series. Then it ended up in a gallery hiding a fuse box. I still love it but it is not in the style that I am currently making so I decided it was time to reduce the price from $875 to $675.

Don't you love the colors? There is a hint of the sun rising or setting at the horizon.

color on the mountain--32x48 inches--Ann Brauer 2012

At 32 x 48 inches this quilt will work in many locations.

color on the mountain--detail--Ann Brauer 2012

 Of course it is signed.

color on the mountain--detail--ann brauer 2012

To find out more, check out my Etsy shop HERE.

only 13 more days--tra la

OK--only 13 more days until spring. Repeat after me. Thirteen more days. Yes, I am trying to ignore the snow falling around me. We could get 18 inches!!! Maybe we should be celebrating this snow. Thinking of winters past where it snowed into April or even May. After all it will help preserve water for the summer. There are no mosquitoes. I can't weed the garden. And it is beautiful.

Regardless it is time for the Count Down to Spring quilt. This is the other river quilt that I have left. Don't you love the colors in this one? Wouldn't it look great in a country home--maybe with lots of wood and views to the forest outside. Just saying.

autumn river--38x38"--quilt--Ann Brauer 2018

The river flows through the center of the quilt with the green outlining it. Have you ever seen rivers in dry areas? This is actually what happens with the water creating a wonderful respite from the drier land.

autumn river--detail--ann brauer 2014

The browns are a wonderful rich color in long even rows.

autumn river--detail--ann brauer 2014

Of course it is signed. Hanging is simple since I have attached looped tape on the top and bottom. I provide the customer with the matching hooked tape and thin strips of faux wood that can be attached to your wall.

autumn river--detail--quilt--ann brauer 2014

I do like the simple colors in this quilt. However, I have had it for several years and it needs a new home. So I have reduced the price in my Count Down to Spring sale from $675 to $375. You can see more about the quilt on my Etsy shop HERE.

Yes--we get another Nor'Easter--Day 14

Only 14 days to spring. I guess the weather wants to get all the snow in now while it can. At least that is my theory. Why not?

Meanwhile my next quilt is one I love. Perhaps it is a bit more intellectual than some of the others. I think of it as a quilt about quilts. Indeed I carefully created the colors in the blocks by choosing the fabrics to make coordinate but stand out. Just look carefully at all the different prints I used. Don't you love how the blocks stand out against the black bindings.

One of the hardest blocks was the grey with the pink. I tried to make it different from the "solid" grey block but also co-ordinating with it. There are by the way more than 40 strips of fabric in each block. It took forever to sew this quilt.

pink butterflies--detail--quilt--Ann Brauer

I also love how the bright spring green in the detail below echoes the darker green while adding its own life. The various whites in my opinion calm this quilt and let the other colors stand out.

pink butterflies--detail--quilt--Ann Brauer

Of course I signed the quilt. Don't you love its name--pink butterflies. I hand finished the bindings and added looped tape on top and bottom for hanging.

pink butterflies--detail--quilt--Ann Brauer

I see this quilt in a modern room maybe with a simple sofa and coordinating pillows. Or it could be stunning with a changing display of flowers. Have fun deciding.

Because I have had this quilt for a couple of years I decided to include it in my Count Down to Spring collection. Therefore, I have reduced the price from $800 to $575 at least temporarily. To see more info you can check it out on my Etsy shop here.

between the storms--day 16

Don't you love how--if you commit to a goal--and tell others you are going to do it, you actually get it done. Now posting clearance items for 20 days is a lot of work. I have to go through the work I have and find the quilts that have been here too long. Then I have to admit they need a new home even if I don't get the price that I feel they deserve.

Still the word "clearance" does have the word "clear" in it and there is something liberating about creating new space in the studio.

This is the case with my quilt "river of gentle autumn." I made a number of quilts in this series when I was building the new studio. The object was to create works that would sell to help me pay for the building and I made a number of them. What wonderful studies in color and place they were.

Now I only have two of them left. This one I call "river of gentle autumn." Don't you love the peaceful colors? At 38x38 inches it occupies space while fitting in many locations. This is one of the last I made of this series and also one of the last quilts I made that relied on quilt as you go to provide the texture and substance. Therefore I have reduced the price from $675 to $375.

river of gentle autumn--38x38"--quilt--ann brauer 2015

Don't you love the subtle contrast between the free flowing river and the geometry of the banks of the river?

detail--river of gentle autumn--quilt--ann brauer 2015

Of course it is signed.

detail--river of gentle autumn--quilt--ann brauer 2015

To see more images of this quilt, please check out my Etsy shop here.

thinking big

Sometimes a new year forces me to take stock and reconsider the quilts I am making. Now of course I love the intricate piecing with the suns and moons, the mountains and sky. The soothing landscapes with complex colors and patterned fabrics that tell countless stories. Oh I do enjoy all the possibilities that these present.

Quilts--Ann Brauer--2017

And yet I wanted more. I missed the scale of my large quilts. The ones that would take over a space and make a statement of strength and power. How big could I go? I was glad to take a break from large quilts--they take over the studio and most importantly my mental energy--but there is a power there that I wanted to rediscover if I dared.

Well, there was only one way to find out. Start. So one morning at the beginning of January--or maybe it was the end of December--the days do become a blur--I did a couple of experiments. After all a new quilt would have to include all the knowledge and skill I have gained with the smaller curved pieces.  Then without too much thought I made the first sample blocks and pinned them to the design board.

View from my window--work in progress--Ann Brauer--2018

That didn't seem like a lot although maybe it gives you an idea of the scale and size. One of the samples is on the bottom left.

View from my window--work in progress--Ann Brauer 2018

I had to keep moving forward. This took forever. Or should I say forever! But I knew that I wanted the color progression on the bottom to highlight the over all design. Keeping track of designs that will come is one of the hardest parts about going big--especially when it will be weeks before I see the whole. I need to keep faith in my work and my vision even though others told me to make more potholders and placemats for the Baltimore Show.

View from my window--work in progress--Ann Brauer--2018

Still it gradually progressed. Of course I had to test my methods to make sure that my idea would work. Was I really crazy. What would the finished quilt look like? Those are my first tests of joining the blocks on the bottom left.

View from my window--work in progress--Ann Brauer 2018

Slowly I join the rows. Yes, I am making this quilt one block at a time. After piecing I quilt the blocks individually and join them together. I know there will be so much hand sewing so I try to break it up a bit.

View from my window--work in progress--Ann Brauer 2018

And also test colors for the bottom of the quilt. I have an idea. But will it work. Again I pin fabric to the design board to contemplate as I sew. It is hard to see the progress isn't it? Days of work and I have added one row. What was I thinking?

View from my window--work in progress--Ann Brauer 2018

Slowly though the quilt grows. As you can tell it is taking over the design board. If you note, I did finish the top row and joined it together since I know that when I finally sew the long rows together the quilt will be BIG and hard to maneuver.

Then comes the time of silence. The quilt is simply too big for the design board. Pins will not hold it up and so I have to rely on memory and faith. This part is so hard. After the weeks of work and struggle I just have to trust that my concept for the art is good. The colors will work. The blocks will add to the quilt and the statement. Day after day I go into the studio and do the hand sewing until I have to find a different task. Now is the time for potholders and placemats. Something simple I can finish when I can't face another long seam. (Did I forget to mention that I hand finish all the bindings. Well of course I hope you realize.)

Then finally. I can't wait any longer. Sure I have some threads to clean. Perfection is there but it can wait. I haven't named it yet although I know it's name. I simply must hang it up and learn from it. I need to absorb this quilt and wish I had time to make another one. Later as they say. 'Tomorrow is another day."

View from my window--95x95"--Ann Brauer--2018

And yes, each block is quilted individually. I didn't want the quilting to lessen the impact of the black outlines. This is  among other things a quilt about quilting.

view from my window--detail--Ann Brauer 2018

And for those of you who have made it to the end and are wondering, the name of the quilt is "view from my window." It is about 95x95". I can't wait until I have my wonderful photographer take even better images of it. But in the meanwhile, please let me know what you think. Thanks.

selling at craft shows

OK--it was not easy to post the second half of my interview with Clara on different textile sites. Argh!!

I am posting it here for your info.

https://claranartey.com/fine-craft-show-textile-art/

my mother's mother--day 34

When I think of my mother's mother, the word I would use is "nice". She had wonderful white hair. She did not live with us but would come and when she came to visit us she would sit on the porch and count the number of white cars that went by on the highway. She would bring my sister and I color by number sets with pencils and then sit at the dining room table and help us complete the images. After all she had attended the Art Institute of Chicago when it was a finishing school for young women.

When she left my sister and I would redo her coloring since it was always too light. We called her Grandmother.

And yes, she also made quilts. Not the intricate original quilts of my other grandmother but the carefully pieced quilts that women did back then just because it was the thing to do. The Grandmother's Flower Garden and Trip Around the World. The appliqued flowers. All in wonderful soft pastels.

She died when I was still in grade school. Only later did I learn that while she may not have been much of an artist, she was a sound business woman who guided my Grandfather's string of grocery stores through the Great Depression. When they finally closed, she then ran the Candy Stores which supported the family for many years after that.

I also learned that rather than dreading her regular visits to us on the farm, she looked forward to being in the country which was where she had been raised.

As an adult I wish I had gotten to know her a better. What was the price she paid for being both nice and a business woman back then? How did she balance every thing?

In many ways, this quilt--Summer Garden--which I made a number of years ago is a tribute to her and that generation. Its sister is actually in the collection of the American Museum of Art + Design in New York (although they don't usually show it)  and was part of the Six Continents of Quilts Show in 2001. How hard this quilt was to make--can you see the roots not only in Grandmother's Garden but also in the log cabin pattern. Each of the seams had to be tied off at both ends. I even used different colors of black fabric to give even more substance to the piece.  Of course each block was different. And yet the whole is certainly more than the sum of the parts, at least in my opinion.

summer garden--about 90x90 inches--Ann Brauer--2001--image by John Polak