|view of Chicago from Merchandise Mart|
The lions at the Art Institute are big.
|lions outside of Art Institute--Chicago|
One of my favorite paintings by Georgia O'Keefe is so big they had to build a special wall just to display it.
|clouds--Georgia O'Keefe--Art Institute|
So last year after doing OK at the One of a Kind Show I decided that I wanted to go big. Wouldn't my work look great in a larger booth? They give me the hard white walls, the carpet, the lights. Sure the show is a long hard drive from home. The lines for load in and load out are carefully controlled chaos. And the price to do the show is--let's face it--big.
Still I told myself I wouldn't know until I tried. When I was offered a larger booth I decided I had to try. Let's face it, I decided to rebuild my studio because I knew I had more quilts to make and I wanted to make them. Quilts can be more than fine craft and I want to make big quilts that transcend the medium. I spent all autumn working for this show. I had other fairs to do and orders to fill, but I kept imagining myself in this large space.
Of course I didn't have nearly enough time to get all the quilts in my imagination done. How delighted I was to read that Claude Monet was frustrated that his wonderful stacks of wheat paintings took much longer than he wanted to complete. Don't you love to read labels at the Museum.
|stack of wheat--Claude Monet--Art Institute|
I set up the booth. Thought it looked great in its largeness and splendor and then waited. Is it the kiss of death if other artists think your booth looks grand? Or was it because it was Thursday? Did I forget to convey the idea that these are quilts? Does that matter? Should it matter? After all it only takes a couple of good customers.
Or maybe there is more I need to do to achieve my idea. My concept. I'll try to keep you posted. Meanwhile wish me well. If you are in the Chicago area my booth is 4123. I would love to know what you think?
|booth--OOAK Chicago--Ann Brauer 2017|