When I made it, I was working in the studio in exile as I call it now. My view was of the geometry of the Iron Bridge across the Deerfield River with a hint of sky. Amazing isn't it, how location can influence one's work?
I loved the intensity of the colors as the thin seams almost created a work that appeared woven, not sewn with wonderful complex texture and color. It was one of my series of rainbow quilts trying to capture all the colors of summer in one piece of art. Even now I gently touch the many rows of fabric and feel its substance. Still I smile at the artistic pun of a quilt that looked woven in more ways than one.
The top rows of the quilt came together readily as I remember but oh those bottom rows. What color would create the right feeling and ground the quilt. So many mornings I would wake up thinking of solutions--should it just disappear in smaller and smaller colors. Should it look like water? Maybe the teal should move into a chartreuse to really sing? I would pin fabrics up and pace as I tried to imagine the colors that would work. Then make test samples to try to solve the dilemma.
Finally I chose the bright green of summer grass and leaves. A complete landscape just perfect for the "colors of summer", isn't it? Don't you love how it grounds the quilt and makes it even more of a landscape.
|colors of summer--45x60"--Ann Brauer 2013--photo by John Polak|
To see more of this quilt do drop by my studio if you are in Shelburne Falls or check out additional images on my Etsy shop. https://www.etsy.com/listing/172682064/quilted-wall-hanging-colors-of-summer?ref=pr_shop